Alright, now that I’ve bored you with all this technical talk about art, maybe you’d like to know a little more about the artist.
Art aside, what about the artist?
My name is Alexei Antonov , I was born in Russia in 1957, and I've been trying both hands (I'm ambidextrous) at art ever since. I can remember myself from the age of two, and when I was three, I was the terror of my mother’s make-up kit; I loved to draw murals on the wallpaper with her lipstick. All through my childhood I continued drawing, and in high school, though I left much to be desired in my
other classes, I excelled in art and singing. I think that I was not a good student in other areas, because I prefer to teach than to be taught. Eventually though, I learned to learn.
In 1972 I entered the State Art College in Baku, where impressionistic, realistic, and abstract painting were taught – but unfortunately, no classical. I joined other students in minor revolts against communism by growing my hair out, looked for hot chicks, and even studied quite a bit. In 1976 I graduated and went to work at the Research Institute of Design in Moscow. From 1986 to 1990 I lived in Moscow and worked as a graphic artist and illustrator for magazines published by the main Russian Press Agency, “Novosti” (News). I also designed posters for leading pop singers and rock groups during this period of time, but my most important work was the active and attentive study of the technique of the Old Masters such as Rubens, Van Dyke, and Snyders. This is when I met Nikolai Shurigin; a successful artist and Russian patriot, who, though younger than me, had already discovered much about this technique and was powerful both in his painting and in his personality. I learned much from, and with him.
I left Russia for the first time in 1988 when I visited Italy to study the paintings in the museums and exhibit some of my own. In 1989 I opened Rubens Gallery in Moscow, under the sponsorship of the central youth newspaper, “Komsomolskaya Pravda.” I also took part in numerous exhibitions in Moscow, which were covered by the Russian Press.
I have been living and working in the USA since 1990, and it’s a good thing, because if I were still in Russia, I never would have made this beautiful web page for you to enjoy. This unique classical technique is practiced by very few artists at this time and is no longer taught in art schools. My works are in private collections in many countries around the world.
As for me, I may paint to live, but I live to fish. When I’m not at the easel or the computer, you can find me on the lake, catching the record-breaking bass!